'Infernal Affairs' ('Mou gaan dou') Hong Kong/China
(Andrew Lau Wai-Keung, Alan Mak Siu-Fai, 2002)
Hong Kong cop thriller following the parallel lives of an undercover officer who infiltrates a Triad gang and policeman who secretly reports to a ruthless gang boss. "Infernal Affairs" breaks the mould of much of contemporary Hong Kong cinema by steering clear of over-the-top-action in favor of a slow-burning build up of psychological tension. Engrossing.
'Mandala' South Korea
(Kwon-Taek Im, 1981)
In the film that is considered to be his breakthrough as a cinematic artist, Im follows the lives and interactions of two Buddhist monks in Korea, and takes a contemplative look at the nature of individualism, religious belief and enlightenment.
'To Live' ('Huozhe') China
(Zhang Yimou, 1994)
Much lauded but banned in Mainland China because of its satirical portrayal of the Communist government, this epic, sumptuous film traces the personal fortunes of Fugui and Jiazhen as they fall from wealthy landownership to peasantry over 30 turbulent years.
Friday, September 26, 2008
Which is the best Asian film ever?
CNN's The Screening Room is asking its audience to help pick the best Asian film ever. They have come up with a provisional list which not surprisingly has fueled debate among fans of Asian film. From Screening Room:
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